Soap Opera DashDeveloperBamTang GamesPublisherPlayFirstSeriesDash seriesPlatform(s)Microsoft WindowsApple MacOSiOSReleased date(s)2010Soap Opera Dash is a spin-off dash game starring Rosie the Regular whom was previously the basic customer of Diner Dash.
Soap Opera Dash Full Game
Rosie, whose pitch was rejected by a local television show, met with her high school crush, Simon the Celebrity, who was recently fired from his acting gig due to poor reviews. When they briefly reminisce about their past, Rosie had an idea to start off her new show with Simon as her lead actor. Together with Flo, Quinn and the rest of the DinerTown residents, they started their soap opera project.
Very few people think creating a soap opera is a complex and time consuming process, but PlayFirst's new time management game, Soap Opera Dash, simplifies the formula even further. Assemble your actors, do their hair and makeup, make sure their wardrobes are set, and shoot each episode one scene at a time. It's a bit different than other games in the Dash series, but it's every bit as well-made and engaging!
Step one in making a soap opera: choose parts for the actors. From the available roster, you'll select the jealous best friend, the supportive pal, set who the quarreling lovers are, etc. Once the roles are cast, the real work begins. Actors appear on the left side of the screen and take a seat. Each wants a script of a certain color, and it's your job to deliver it. Once they've read their lines, actors will want their hair done, then need a trip to wardrobe, and probably a visit to the makeup department. With each step, you'll move the actors by clicking and dragging, then give them a hand by dashing Rosie over to their positions to get the work done.
Thankfully, you don't have to be a fan of soap operas to play or enjoy Soap Opera Dash. It's a good looking and easy to play time management game with high quality everything. And without the cheesy soap opera storyline!
I played the demo version and I must say I'm quite disappointed. I think the soap opera theme lends itself well to having quirky characters, funny dialogues and challenging situations. "Miss Management" is the game that springs to mind when looking at how to blend a storyline beautifully into a time management game. Soap Opera Dash feels empty because it has chosen to show the process of making soap operas as a mechanical bunch of steps - there's a lot of stuff that goes into it and I think this game could have done better to use the premise. I'm quite a fan of the whole Dinertown franchise, but this one would have to be my least favourite.
Help Rosie film the best Soap Opera ever! Run the sets and make sure all the actors are happy in this fun Time Management game! In order to get advantaged of playing Soap Opera Dash full unlimiteg game version you must register the game.
A soap opera, or soap for short, is a typically long-running radio or television serial, frequently characterized by melodrama, ensemble casts, and sentimentality.[1] The term "soap opera" originated from radio dramas originally being sponsored by soap manufacturers.[2] The term was preceded by "horse opera", a derogatory term for low-budget Westerns.
BBC Radio's The Archers, first broadcast in 1950, is the world's longest-running radio soap opera.[3] The longest-running current television soap is Coronation Street, which was first broadcast on ITV in 1960,[4] with the record for the longest running soap opera in history being held by Guiding Light, which began on radio in 1937, transitioned to television in 1952, and ended in 2009.
A crucial element that defines the soap opera is the open-ended serial nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Albert Moran, is "that form of television that works with a continuous open narrative. Each episode ends with a promise that the storyline is to be continued in another episode".[5] In 2012, Los Angeles Times columnist Robert Lloyd wrote of daily dramas: .mw-parser-output .templatequoteoverflow:hidden;margin:1em 0;padding:0 40px.mw-parser-output .templatequote .templatequoteciteline-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0
Although melodramatically eventful, soap operas such as this also have a luxury of space that makes them seem more naturalistic; indeed, the economics of the form demand long scenes, and conversations that a 22-episodes-per-season weekly series might dispense with in half a dozen lines of dialogue may be drawn out, as here, for pages. You spend more time even with the minor characters; the apparent villains grow less apparently villainous.[6]
Soap opera storylines run concurrently, intersect and lead into further developments. An individual episode of a soap opera will generally switch between several concurrent narrative threads that may at times interconnect and affect one another or may run entirely independent to each other. Episodes may feature some of the show's current storylines, but not always all of them. Especially in daytime serials and those that are broadcast each weekday, there is some rotation of both storyline and actors so any given storyline or actor will appear in some but usually not all of a week's worth of episodes. Soap operas rarely conclude all the current storylines at the same time. When one storyline ends, there are several other story threads at differing stages of development. Soap opera episodes typically end on some sort of cliffhanger, and the season finale (if a soap incorporates a break between seasons) ends in the same way, only to be resolved when the show returns for the start of a new yearly broadcast.
Evening soap operas and those that air at a rate of one episode per week are more likely to feature the entire cast in each episode, and to represent all current storylines in each episode. Evening soap operas and serials that run for only part of the year tend to bring things to a dramatic end-of-season cliffhanger.
In 1976, Time magazine described American daytime television as "TV's richest market", noting the loyalty of the soap opera fan base and the expansion of several half-hour series into hour-long broadcasts in order to maximize ad revenues.[7] The article explained that at that time, many prime time series lost money, while daytime serials earned profits several times more than their production costs.[7] The issue's cover notably featured its first daytime soap stars, Bill Hayes and Susan Seaforth Hayes of Days of Our Lives,[8][9] a married couple whose onscreen and real-life romance was widely covered by both the soap opera magazines and the mainstream press at large.[10]
The main characteristics that define soap operas are "an emphasis on family life, personal relationships, sexual dramas, emotional and moral conflicts; some coverage of topical issues; set in familiar domestic interiors with only occasional excursions into new locations".[14] Fitting in with these characteristics, most soap operas follow the lives of a group of characters who live or work in a particular place, or focus on a large extended family. The storylines follow the day-to-day activities and personal relationships of these characters. "Soap narratives, like those of film melodramas, are marked by what Steve Neale has described as 'chance happenings, coincidences, missed meetings, sudden conversions, last-minute rescues and revelations, deus ex machina endings.'"[15][16] These elements may be found across the gamut of soap operas, from EastEnders to Dallas.[15]
In many soap operas, in particular daytime serials in the US, the characters are frequently attractive, seductive, glamorous and wealthy. Soap operas from the United Kingdom and Australia tend to focus on more everyday characters and situations, and are frequently set in working-class environments.[17] Many of the soaps produced in those two countries explore social realist storylines such as family discord, marriage breakdown or financial problems. Both UK and Australian soap operas feature comedic elements, often affectionate comic stereotypes such as the gossip or the grumpy old man, presented as a comic foil to the emotional turmoil that surrounds them. This diverges from US soap operas where such comedy is rare.[5] UK soap operas frequently make a claim to presenting "reality" or purport to have a "realistic" style.[18] UK soap operas also frequently foreground their geographic location as a key defining feature of the show while depicting and capitalising on the exotic appeal of the stereotypes connected to the location. As examples, EastEnders focuses on the tough and grim life in the East End of London; Coronation Street and its characters exhibit the stereotypical characteristic of "northern straight talking".[19]
Romance, secret relationships, extramarital affairs, and genuine hate have been the basis for many soap opera storylines. In US daytime serials, the most popular soap opera characters, and the most popular storylines, often involved a romance of the sort presented in paperback romance novels. Soap opera storylines weave intricate, convoluted and sometimes confusing tales of characters who have affairs, meet mysterious strangers and fall in love, and who commit adultery, all of which keeps audiences hooked on the unfolding story. Crimes such as kidnapping, rape, and even murder may go unpunished if the perpetrator is to be retained in the ongoing story.
In soap opera storylines, previously unknown children, siblings and twins (including the evil variety) of established characters often emerge to upset and reinvigorate the set of relationships examined by the series. Unexpected calamities disrupt weddings, childbirths, and other major life events with unusual frequency.
The first daytime TV soap opera in the United States was These Are My Children in 1949, though earlier melodramas had aired in the evenings as once-a-week programs. Soap operas quickly became a fixture of American daytime television in the early 1950s, joined by game shows, sitcom reruns and talk shows. 2ff7e9595c
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